Bakery artrage complex2/28/2023 Later we moved to the high-tech Barbagallo Motors in whose showroom a red Ferrari, a yellow Alfa Romeo, a blue Audi and a green Jaguar had been arranged. He read seven short stories describing the migrant experience, perennially attempting to recover the authenticity of a lost original from the remix, a project doomed to fail. Quantum physics shows us through the Uncertainty Principle that physics has abandoned paradigms of certainty in measuring phenomena. He argued that the cover version was an impossibility because there can be no determining original. On Saturday we arrived at the baggage carousel in the Virgin Blue terminal at Perth airport to find Domenico de Clario seated in the centre of it as his assortment of artefacts went on a never-ending journey round him. The remix in contrast is not a recovery it neither improves on, nor falls short of an original, but is a new creation. The cover version relies on the memory of an original that acts as the universal source of values, a Platonic ideal against which all versions are measured. Looking good has become the equivalent of being good.Īt the Bakery Artrage Complex Ted Colless gave a challenging paper, in which he contrasted today's culture of the re-mix with that of the cover version, the dominant paradigm for most of history. One of the symptoms of contemporary culture was the collapse of ethics into aesthetics. It was in the remix that new possibilities of beauty emerged. The first paper by Julian Goddard contrasted the Platonic ideals of an original present in the idea of cover with the anti-foundational approach of Dewey, the remix. This particular symposium had the aim of exploring ideas around '&the dialogue between those who are drawn to maintaining classical paradigms of beauty& in either their practice or theoretical approach and those who are drawn to the constant reinvention of new ones.'Ī brilliant innovation of the Symposium was that it took place in five different locations, starting at the water tank of Mount Flora Museum. What follows is essentially a personal and highly selective impression picking out a few items out of a rich and varied fare.ĭomenico de Clario, Head of SOCA, explained that the idea of the series was stimulated by his meeting Arthur Danto and reading his lectures titled 'The Abuse of Beauty'. There is no room here for a full account of the symposium. The School of Contemporary Art (SOCA) of Edith Cowan University (this year in conjunction with The Bureau of Ideas) recently held the second of a series of six annual symposia planned on the subject of beauty.
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